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Involvement is key: a participant's view of Creative People and Places

12.12.16

Robin Dixon, a local resident and Cultural Connector with Creative Barking & Dagenham, reflects on learning from Creative People and Places and his experience of the programme

Visitors enoying the Becontree mural This Used to be Fields, a Creative Barking and Dagenham landmark commission with Create and Chad McCail. Photo Emil Charlaff

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How to make arts policy parochial but in a good way – reflections on Faster but Slower, Slower but Faster by Dr Abigail Gilmore

12.12.16

Dr Abigail Gilmore from the University of Manchester reflects on learning from Creative People and Places

No Way Back Frantic Assembly. Made in Corby. Photo Scott Graham

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Nazli Tabatabai-Khatambakhsh on Faster but Slower, Slower but Faster

12.12.16

"Power, privilege and equity" Nazli Tabatabai-Khatambakhsh on the questions raised by learning from the Creative People and Places programme

Sufi chanters, Shape Note singers and local residents come together to share in music and song in the disused Brierfield Mill in Pendle. Part of a three-day art film event Shapes of Water, Sounds of Hope, a collaboration between pioneer in public art Suzanne Lacy and arts collective In-Situ. Super Slow Way. Photo Graham Kay

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A voluntary sector perspective on Faster but Slower, Slower but Faster

12.12.16

"If you want to go faster, go alone; if you want to go further, go together." Saffi Price of Wolverhampton Voluntary Sector Council reflects on the learning emerging from the Creative People and Places programme

Creative Black Country Desi Pubs project. Amrick at Fourways. Photo Jagdish Patel

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Analysing audiences using postcode data

25.11.16

The Audience Agency are helping us to understand who Creative People and Places are reaching. They explain the process in this blog.

The Big Feast, Stoke-on-Trent, Appetite. Photo: Clara Lou Photography

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Experiences of excellence

21.11.16

What does excellence mean to the communities experiencing the arts through the Creative People and Places programme? Mark Robinson and Jamie Buttrick report on their research in this article for Arts Professional